Sound For Games
Unreal Engine 5 Video Game Cinematic Teaser Trailer 'Forbidden Ruin'
Sound Designer/Mixing & Mastering Engineer
Linear-media Sound Design
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Credits: Sarah Collins-Bray, Jasmine Caminda Gabrielian, Charlie Johnstone & Zach Ray
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Music Credits: "DARK AMBIENT MUSIC | Black Death - Descent into an Abyss of Medieval Darkness" by Rest for the Wicked
Solely designed the soundscape for my university major project 'Forbidden Ruin'. This 3 month group project for a cinematic teaser trailer for a upcoming video game taught me how to sound design trailer, and reinforced how small indie game groups operate.​
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This was a 4 person project.
Sound For Games
Custom Unity Nature Level Sound Design
Sound Designer/ Foley Artist/ Mixing & Mastering Engineer
Unity Engine Audio Implementation
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Music Credits: "Forest Walk" by Alex Nakarada
Designed the entire soundscape of a given Unity game level utilising Foley, field recordings and minimal sourced audio. All sound effects and music required little to no processing which were mixed, mastered and implemented into the Unity level abiding by my research of the traditional game audio development process.
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The videos on the right display my results as well as audio asset implementation process for my project 1, AUD213 course at the SAE Creative Media Institute in Byron Bay.
Note: The given Unity level was done for educational purposes only
Sound For Games
Unreal Engine 4 Demo Level Sound Design
Sound Designer/Mixing & Mastering Engineer
Unreal Engine V4.24.3 Audio Implementation
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Music Credits: "mainthemes 08 DG2 ARO medieval city L1" by Tilman Sillescu and Pierre Langer
Designed and implemented the soundscape in a given Unreal Engine demo level. The process of 3D audio implementation for a soundscape in Unreal Engine 4 was documented in a short youtube playlist series showing my progression to final result.
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Here is the playlist​
Sound For Games
Unity VR Pool Game Sound Design: Team Collaboration
Sound Designer/ Foley Artist/ Mixing & Mastering Engineer
Unity Engine Audio Asset Creation
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Credits: Blake Tanner , Daniel Vega & Zach Ray
Collaborated with game developers Blake Tanner and Daniel Vega on their game VR Pool, where I created all of the audio assets and they implemented them into the final product.
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That experience taught me how the dynamics between game developers and sound designers work within the industry.
Sound For Animation
Jack-Jack Attack (2004) Sound Redesign
Sound Designer/ Foley Artist/Dialogue Editor/Mixing & Mastering Engineer
Credits: Sam Harris, Travis Loschen, Rylee Parry & Zach Ray
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Music: Sam Harris
This collaborative project required myself and Travis Loschen (colleague) to completely redesign from scratch all audio from the 2004 Disney/Pixar animated short film " Jack-Jack Attack" originally produced Brad Bird (director).
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This project for the AUD213: Audio Studio 3 course at SAE Byron Bay, NSW, Australia, required to be mixed and mastered in 5.1 surround sound as well as stereo accordingly.
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Note: Download 5.1 mix here
Download stereo mix here
Sound For Film
Byron Bay Wildlife Sanctuary and Hospital Promo Advertisement: Dialogue Editing
Audio Mixer/Boom Operator/Dialogue Editor
Credits: EdanBinder, Joel Carter, Sophie Ross, Isabella Rowland & Zach Ray
Working in conjunction with a respected film crew for this project I recorded both ambiance and dialogue with the assistance Edan Binder (colleague) to provide audio for promotional advertisement in regards to the Byron Bay Wildlife Sanctuary and Hospital.
Later dialogue editing and clean up were needed to finalise the audio for my clients.
5.1 and Stereo Mixing/Mastering For "THE BITE" Short Film
MIxing & Mastering Engineer
Credits:
Cast: Eamon Bailey,Lola Crawley, Mellissa Coventry, India Mitchell &Tully Ward
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Production: Nathan Battista, Kaylyn Hammond, Harriet Mackie, Katherine Middledeer, Sophie Ross, Isabella Rowland
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Surround Mixing/Mastering: Douglas Ansell, Edan Binder, Travis Loschen & Zach Ray
This group project required myself and my credited colleagues to re-mix and master a director's horror comedy short film in both 5.1 surround sound as well as stereo.
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Note: Download 5.1 mix here
Download stereo mix here
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Both film projects were created for the AUD213: Audio Studio 3 course at SAE Byron Bay, NSW, Australia.
Original VST Instrument
Beam Machine: KONTAKT INSTRUMENT
Sound Designer
Kontakt Scripting & Mapping
"Beam Machine" is inspired by classic 80's sci-fi and modern retro synth wave to produce 3 virtual Kontakt instruments held within the one interface that play a variety of laser blast sounds. The instruments within my "Beam Machine" product include Slinky, Monotron synth and feedback loop lasers which can be manipulated with various FX knobs.
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Additional, material such as a virtual countdown on social media, posters, demo videos, sound bites, box art and a mockup webpage were made to promote my instrument as a real product.
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Note: Click here to view my research